Theirs are of new actor playing the central character of Gopi, of Gopi’s mother and little siblings who were all having a tough time out there, in the mid 40s –war time. In 2 hours, the piece didn’t bore me for one minute, touched me and successfully held that little piece of thread between mine eyes and theirs. Whew now I wouldn’t be cast off as someone who shut her doors when it came to “those Art movies”. Maybe K P Kumaran wanted the audience to come, relax and do their taxes in peace, cause he certainly didn’t seem to want them to think of the movie.Īlright, back to M G Sasi’s Adayalangal (before I get kicked out by AG supporters). The dialogue rendering pattern was for some reason following melodramatic rules of emotionless, mechanical or overly-emoted lengthy pieces and seemed to strip the connection between the audience and the screen. But that didn’t necessarily mean the Cinema was to be used as a theatre, everything complete with screen in place of stage. Akasha Gopuram too, I saw and from my reaction, obviously it was horrendous. To be honest, I never heard of this movie (yes I missed to take note of the State Awards) and when Amma suggested it, my immediate reaction was “Oh no, not another Akasha Gopuram”. I saw a Malayalam movie called Adayalangal today.
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